Browse Items (3 total)
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Sometimes Water Keeps Us Grounded
Sydney James’ “Sometimes Water Keeps Us Grounded” mural was painted as a part of the Chroma Zone art festival in the Creative Enterprise Zone district of Saint Paul, MN. Painted on a plain white wall, the mural depicts a detailed portrait of a young Dakota girl wearing a red shirt decorated with cartoon-like characters. She is only seen from mid-torso and up, showing mostly her head, neck, and shoulders. The characters on her shirt are a teal color and have a pinkish-coral hair color. The character on the left appears to be a woman holding and looking at a baby, presumably her own child. The other character on the girl’s shirt is a woman wearing purple robes; her hair is a lighter shade of pink than the woman on the left. She has horns on her head, as well as a halo hovering behind her head and wings on her back. The horns, halo, and wings are all painted in yellow, complementing other features of the t-shirt design. The angel is holding out her hand to show a small boy holding a star. Beneath the angel’s hand, “Hey Momma” is painted in white with a heart as well as a dedication, “Sydney’s Homage to Birdcap XOXO.” Birdcap is another street artist whom James wanted to honor in her mural. Behind the girl is her shadow painted in various colors. The horizontal lines of colors include shades of purple, blue, pink, green, magenta, and red. The girl’s shadow is given texture through dots of different colors and shades, as well as lines that give the appearance of stacked squares. -
Dakȟóta Ancestors
The mural Dakȟóta Ancestors by Danielle SeeWalker is a representation of Native American culture and heritage. The composition of the mural is centered around two female figures who represent the ancestors of the Dakota people. The side profiles of the women are depicted from their upper chest to head. This emphasizes how the women are turned to face each other, and most likely gazing at each other. Surrounding them are various Dakota floral designs. When the mural is split vertically, it reveals a symmetrical structure, with a large floral piece at the center and each woman positioned on opposite sides. Another smaller floral design is placed next to each figure, balancing the overall composition. Furthermore, each floral design is vertically symmetrical, contributing to the harmony of the mural.
The color palette in the mural is bold and highly saturated utilizing a vibrant array of colors. SeeWalker incorporates a large spectrum of colors, from the bright green of the older woman’s garment to the grey of her hair. The younger woman is shown in a purple top with black hair. The surrounding floral designs feature a variety of bright colors, each unique in tone, which highlights their individuality. By choosing bold, rich colors rather than the stereotypical palette often associated with Native American art, SeeWalker conveys a sense of strength and pride in the heritage of the Dakhota people. There is no shading in this mural. This deliberate absence of shading might serve to strengthen the visual impact of the piece, allowing each section to stand out. Each color is separated by strong black outlines, which help define the individual elements and add clarity to the composition.In terms of line, SeeWalker uses thick black lines throughout the mural, with a predominance of curved shapes. Most of the floral elements are composed of curves that converge to form pointed tips, with circles at the center of each flower. The women themselves are framed by curved lines, and their braided hair is depicted with small, repetitive curves that flow inward to the middle floral piece. This curving pattern guides the viewer’s eye through the mural, creating a sense of movement and unity. The only straight lines in the mural appear in the earrings of the figures, which are triangular in shape and filled with four smaller white triangles, adding a sharp contrast to the other organic forms. Within the earrings, there are lines of various colors that serve as a background to the white triangles. Additionally, it is also important to note the absence of some lines. There are no lines to define the features of the women’s faces.
Texture is minimal in the mural, as the focus is placed on the clarity of shapes and the relationship between the figures and the surrounding elements. The smooth surface of the brick wall allows the paint to appear flat and uninterrupted. However, the patterned circles on the women’s garments may suggest beading or decorative embellishment, subtly introducing a sense of texture through design rather than surface variation. Regarding space, SeeWalker uses the negative space around the women as a background to highlight the main focus, which is the ancestral women and the floral. The dark gray background allows the colors of the mural to pop out. Additionally, there is no overlapping between the women and the florals, which keeps each element distinct and separate, further highlighting the importance for both the figures and the floral designs. Overall, the mural's composition, color, line, and space work well to convey a sense of ancestral and cultural pride, inviting viewers to reflect on the connection between the Dakota people and their heritage.
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Unci Maka
Composition: The mural features a balanced and symmetrical composition extending across a large exterior wall. Key focal points include the quilt star-like motif and the text “UNCI MAKA,” positioned centrally within the mural. The arrangement of the sunflowers, flowers, and flying creatures creates harmony and directs the viewer's eye along the length of the mural.
Color: The color palette of the mural consists of light blue as the background, contrasting with yellow for the sunflowers, red and orange for the quilt star motif, and purple-pink for the cone flowers. The use of color highlights key elements and directs the viewer’s attention toward the text and central quilt star motif.
Line: The mural includes a variety of line types, from thick outlines that define the primary shapes (such as the flowers, star, and insects) to the curves in the petals and bees’ wings. Curved lines dominate, giving the mural a sense of movement and flow. The straight lines in the text contrast with the rounded, organic forms, providing balance and structure. This contrast between straight and curved lines emphasizes the text, separating it from the surrounding elements.
Texture: The mural is painted on a rough wall, but the painted forms use smooth, solid color fills with consistent line work. The contrast between the wall’s physical texture and the visual appearance of the paint creates a dynamic effect. The physical texture of the wall connects the mural to its setting, interacting with natural light and changing its appearance based on the time of day.
Space: The mural uses a clear spatial arrangement, with flowers, text, and the star in the middle ground. Foreground elements include the larger flowers, like the sunflowers and cone flowers. The background is composed mainly of the blue sky and white clouds, establishing a sense of depth. The perspective remains flat, with elements on a single plane, maintaining focus on each object. Overlapping elements, such as the flowers, bees, and butterflies, create a layered visual experience.