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Coming Home
Coming Home is a vibrant and profoundly symbolic mural, as it explores the intricacies of immigration and the emotional voyage it entails for every individual involved. It illustrates two women from distinct cultures and ethnicities who are visually interconnected but divided by a symbolic line. An American woman representing established immigrant groups pauses in her warmly lit living room to observe through a telescope. Embellished with a log cabin quilt design variant, this environment represents stability and household tradition. Dressed in a vibrant yellow dress and bearing a suitcase, a younger woman from the Middle East enters an expansive blue space on the right, symbolizing the challenges and opportunities of new beginnings. Her background showcases a ten-pointed Islamic star, symbolic of Islamic art, representing her cultural origin. The mural is divided into two halves, each expressing a unique cultural and emotional place. The telescope bridges the division, a diagonal line that directs the viewer’s gaze throughout the mural, linking the two women visually and thematically. The positioning of the figures—one stationary and anchored in her surroundings, the other in motion—highlights difference while establishing balance, as they reflect each other’s dimensions and relevance. The geometric patterns behind the women offer structure and repetition, harmonizing with the organic curves of the figures and their attire. The color scheme enriches the narrative. Soft purples and yellows on the left imply warmth, nostalgia, and tradition. Conversely, cool blues adorn the right side, representing the unknown and the enormous possibilities of the immigrant experience. The vivid yellow of the traveling woman’s outfit symbolizes hope and optimism, but the complementary purple in the settled woman’s environment signifies reflection and stability. These complementary colors generate visual harmony, representing the potential for mutual enrichment via cultural interchange. The painting combines various straight and curved lines to direct the viewer's attention and foster dynamic interactions. The geometric designs—linear and angular on the left, complex and star-shaped on the right—represent the differing cultural heritages of the two women. The women's flowing hair and garment lines soften the composition, giving movement and vitality. The diagonal line of the telescope serves as a focal point, physically and thematically linking the two women, while the birds in the upper right corner direct the viewer’s gaze upward, suggesting independence and migration. The telescope indicates a purposeful endeavor to connect and understand beyond cultural boundaries, but the complementing colors of the women's attire imply harmony and the prospect of cultural synergy. The Arabic word "home" is engraved twice, emphasizing the common human desire for belonging. The depictions of Lady Liberty's head anchor the greater backdrop of immigration and the principles of liberty and opportunity, and the flock of birds in flight represents migration and aspiration. -
The Afrocentric Spectrum
This mural is depicted in the Creative Enterprise Zone, and it was created in the 2020 Summer Art Festival. The colors meet evenly in the middle, and it creates contrast between the two people, yet there is symmetry and uniform. The artist uses hues of yellow and orange on the left side of the mural. On the right, the artist uses shades of blue, purple, and pink. Gradients of both horizontal and zig zagged lines overlay the bold colors on the right side. The artist uses geometric shapes, along with checkered lines which direct the eyes to the buildings. There are also lines that vary in thickness that travel both upward, and horizontally. On the left side of the work, the artist uses more curved lines, but he also includes checkered and horizontal lines.
At a glance, the viewer can identify two people, a sun, flowers, buildings, lights, and skylines. The two sides to this mural act as categories. The vibrant yellows and oranges correlate with the yellow sun and orange flowers. The buildings, lights, and neon sky best correlate with the blues, yellows, and purples on the right side. The artist uses texture to show the detail of the flowers and their petals. Texture is also included in showing the sun melting up into the horizon, passing through the horizontal lines. The building windows are also textured allowing one to envision windows on the skyscrapers. The artist uses space in an elaborate way. The two people take up the middle of the work from top to bottom. On the left, the space is majorly occupied in the bottom of the mural with the sun and the flowers. The top left shows the sunrise and skyline. On the right, much of the action is in the middle and top of the mural. The checkered pattern on the bottom directs one's eyes to the buildings along the spotlights beaming up to the top of the mural.