URBAN ART MAPPING is a multi-disciplinary research team dedicated to documenting and analyzing street art. Artists and writers producing work in the streets – including tags, graffiti, murals, stickers, and other installations on walls, pavement, and signs – are in a unique position to respond quickly and effectively in a moment of crisis. Street art’s ephemeral nature serves to reveal very immediate and sometimes fleeting responses, often in a manner that can be raw and direct. At the same time, in the context of a crisis, street art also has the potential to transform urban space and foster a sustained political dialogue, reaching a wide audience and making change possible.
A living, growing archive of murals in Minneapolis and Saint Paul, considering the street as a museum space.
HOW TO USE THIS ARCHIVE: Choose “browse collections” to explore organized around several prevalent themes. Click on "browse map" to find images based on location, explore "browse tags," or identify images based on key words.
USE OF IMAGES: This archive is a repository for images made available for research and education only. Commercial use of the images and data is prohibited. When possible, the artists and photographers are identified. In many cases, we are not able to identify creators of these pieces. Indeed, many pieces were intentionally created anonymously. Please contact us with any missing attributions, questions, concerns, or ideas for collaboration.Banner image by Kalaka, Lake Street, Minneapolis
Features Content
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Bird Enterprise Zone
Bird Enterprise Zone features two birds prominently displayed against a vibrant, patterned background. Both sides of the mural offer subtle differences in the birds' appearances and the background. The birds, painted in tan, brown, and white, contrast against the colorful backdrop, making them the main focal point. Their slightly varied hairstyles and designs distinguish the birds from one another. They are painted in a cartoon style, and they appear to be dancing or jumping. The background made of straight zigzag lines of varying thickness is visually striking but does not overwhelming the birds. Despite the 2D aesthetic the birds are clearly in the foreground creating depth in the mural.
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Coming Home
Coming Home is a vibrant and profoundly symbolic mural, as it explores the intricacies of immigration and the emotional voyage it entails for every individual involved. It illustrates two women from distinct cultures and ethnicities who are visually interconnected but divided by a symbolic line. An American woman representing established immigrant groups pauses in her warmly lit living room to observe through a telescope. Embellished with a log cabin quilt design variant, this environment represents stability and household tradition. Dressed in a vibrant yellow dress and bearing a suitcase, a younger woman from the Middle East enters an expansive blue space on the right, symbolizing the challenges and opportunities of new beginnings. Her background showcases a ten-pointed Islamic star, symbolic of Islamic art, representing her cultural origin. The mural is divided into two halves, each expressing a unique cultural and emotional place. The telescope bridges the division, a diagonal line that directs the viewer’s gaze throughout the mural, linking the two women visually and thematically. The positioning of the figures—one stationary and anchored in her surroundings, the other in motion—highlights difference while establishing balance, as they reflect each other’s dimensions and relevance. The geometric patterns behind the women offer structure and repetition, harmonizing with the organic curves of the figures and their attire. The color scheme enriches the narrative. Soft purples and yellows on the left imply warmth, nostalgia, and tradition. Conversely, cool blues adorn the right side, representing the unknown and the enormous possibilities of the immigrant experience. The vivid yellow of the traveling woman’s outfit symbolizes hope and optimism, but the complementary purple in the settled woman’s environment signifies reflection and stability. These complementary colors generate visual harmony, representing the potential for mutual enrichment via cultural interchange. The painting combines various straight and curved lines to direct the viewer's attention and foster dynamic interactions. The geometric designs—linear and angular on the left, complex and star-shaped on the right—represent the differing cultural heritages of the two women. The women's flowing hair and garment lines soften the composition, giving movement and vitality. The diagonal line of the telescope serves as a focal point, physically and thematically linking the two women, while the birds in the upper right corner direct the viewer’s gaze upward, suggesting independence and migration. The telescope indicates a purposeful endeavor to connect and understand beyond cultural boundaries, but the complementing colors of the women's attire imply harmony and the prospect of cultural synergy. The Arabic word "home" is engraved twice, emphasizing the common human desire for belonging. The depictions of Lady Liberty's head anchor the greater backdrop of immigration and the principles of liberty and opportunity, and the flock of birds in flight represents migration and aspiration. -
Flowers for the Friends who Picked Me Up
Composition: Looking at the composition of this mural, there are two larger than life looking figures. To take it all in, you need to look at this mural from a distance. The faces cover over half of the wall, but it’s important to note that their arms and hands also take up space in the middle. Both figures are holding hands showing a sign of unison. Looking at the higher portion of the piece we see a red bird placed between both of the figures. This bird must be important, since both eyes of the figures are fixated on it. The figures themselves compose nicely, there is a lot of curvature between the two bodies that makes the art flow in a good pattern. Color: The colors shown in this mural are very simple. All of the primary colors are being used in this mural. Both red and blue are repeated throughout the mural, and all three are used to create the color white used in the eyes. I was very struck at the bright blue faces of the figures at first glance. The figures are the only blue in this mural, there are also many white dots shown throughout the bodies, arm, face, and chest. All of the flowers, background, and flowers are painted red, and have glares of white in them to help provide texture. Line: Within this mural, there are many forms of lines. Looking at the figures, those lines have a lot more curvature than do the lines on the bird above them, where these lines are more sharp and jagged. This can also be seen with the flowers. The flowers have a mixture of curves coupled with pointy and jagged lines. Texture: There is a lot of smooth surfaces shown on the mural. This is greatly contrasted with the specks and dots shown in the mural as well. The wavy and pointy like end on the flowers also help provide texture throughout the mural. Space: First thing to look at, is how this is a 2-D surface, however the artist is creating an 3-D illusion. One thing to look at is the holding of hands in the middle, creating an overlap. There is also some shading on all of the figures. Looking at the faces and the bird in the middle, these figures are very bright to bring it closer to the surface. Looking at the bodies of the figures, they are darker, this helps show that they are farther from the surface. -
At the Center of Your Being
Composition: The composition of the mural is both intricate and balanced, despite it’s abstract nature. Berman arranges the elements of the mural in a way that suggests both a center and an outward flow, radiating from the center. The central focus draws the viewers eye initially, with surrounding shapes and patterns providing symmetry across the mural.
Color: Berman uses a bright palate with vibrant blues, greens and purples balanced with softer tones and occasionally warm accents. The use of this high-contrast combination gives the mural a sense of vibrancy and depth. The bold colors seem to radiate outward, creating a meditative atmosphere.
Line: The lines play a crucial role in the composition with a mix of bold, sweeping curves and delicate fine lines interwoven. The variety of thickness in the lines creates a visual interest and complexity, drawing the viewer to the sense of movement and flow.
Texture: While the mural is two-dimensional, the use of layered patterns and color variations creates an implied texture that is almost connected to touch. The overlapping colors and shapes suggest different textures, from smooth and flowing areas to rougher more densely packed patterns. This variation in visual textures invites the viewer to feel as if they are touching or moving through the different layers of the piece.
Space: The use of dynamic, with a skilled blend of foreground, middle ground and background provides a strong sense of depth. The idea of central throughout the mural acts as a foreground, capturing attention immediately. The surrounding elements recede into the middle and background, creating a layered effect that feels three-dimensional. This structured use of space enables viewers to interpret the mural as a journey into one’s inner self.
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Frontier Justice
Garcia’s mural “Frontier Justice” can be found in the St. Paul Creative Enterprise Zone at 875 North Prior Ave, St. Paul, selected by the Chroma Zone Mural Festival and partnering with E-Z Recycling to bring this mural to fruition. The mural only consists of four colors, yellow, red, white, and blue. The piece depicts a Deer and a Loon, the Minnesota state bird, in nature picking up plastic cans and bottles stored in bins. The two bins are the two windows protruding from the building on which the mural lives on. The Loon is in a canoe floating down river, notably with a Minnesota Twins baseball cap on, while the Deer is off to the side with an axe in hand. Near the bottom of the mural, you can see the original piping of the building that was integrated into the art piece. The pipes are painted blue to blend-in with the painting, representing an oil rig which was cut by Deer’s axe. The Deer is in a dominant stance, resembling the art piece of George Washington crossing the Delaware River, on the oil rig looking off into the distance. A key component of the Deer is the content of its shirt which displays “Line 3” with an arrow through it, representing a recently installed oil pipeline that passes through north Minnesota, a controversial subject of debate during the time of the mural’s creation. Lastly, the top of the mural you can spot a mountainous landscape and an urban skyline releasing fumes into the air behind a tree line. -
Untitled
This highly intricate and abstract style of graffiti is illustrated by interlocking letters, complex designs, and vibrant colors which to new viewers often making the text difficult to read, this is known as "Wildstyle". This mural is a remarkable piece of work and it was a very cool experience. The composition of the mural included a Wild style format along with random figures and white spray painted icons in the middle of the letters. Along with this, Smith utilized an array of colors much purple and warmer colors including orange and yellow. Complimented with the array of color palettes smith used several different shapes to make the complexation of the piece stand out. The brick texture of the mural also compliments the “Wildstyle” approach because it contributes to the urban appearance of the piece. This piece also took up the entirety of the side of the building making this a very large space that is taken up. This very much so made the piece more appealing to the people who are able to experience this form of art. Color: The mural features a vibrant array of colors, with a focus on purples, warm oranges, and yellows, creating a dynamic and eye-catching palette. Size: Spanning over the entire side of a building, the mural is massive in scale, making it both immersive and eye-catching. Depth: Smith incorporates intricate shapes, Wildstyle lettering, random figures, and spray-painted icons, layered over the brick texture to enhance the mural's complexity and urban aesthetic. -
La Cigarra
“La Cigarra” by Aaron Johnson-Ortiz is a beautiful mural placed in St. Paul’s Chroma Zone. It is comprised mainly of a set of hands holding a Cicada, as blue and yellow streamers flow away containing phrases in Spanish. On either side of the mural, which covers two adjacent sides of a gas-station building, lies a sun and a moon shown a bright yellow/orange color and cool blue, respectively.
The piece does not show much symmetry or patterns structurally but is very eye-catching in the sense of color use, shape and texture. The colors are bright and draw attention to key components of the piece. The text on the ribbons is a bit difficult to fully translate to English but can be roughly translated. The ribbons appear to read "Do not sing me songs of love, for I do not want to know what they are” and "Like a rumor that sneaks in, you go asking, 'Will I live?'"
Symmetry
The colors in this mural seem pastel-like, although many of the colors are lighter & bright. The brown hands, resembling a tree, holding the cicada, and green leaves behind are the main focus points of the mural, with the contrast between the hands and cicada drawing the viewer’s attention to the focal point of the piece. The mood and tone of this mural seem like they want to be more stable throughout most of the mural but with hints of inspiration and life stemming from the hands and cicada. The flowers also are different colors on each side, with the roses by the moon and a bright-pink flower by the sun. Many earth tones were used in this mural to show the nature aspect of the mural and components themselves. Line is the biggest component of this mural, where most of the composition of each shape is made of lines.
Color
The size of the lines mimic the size of the shape they compose, with very broad strokes being in the hands. These curves create a sense of organic movement, making the composition feel alive and interconnected.
Size
The lines give a sense of nature within the mural, the combination of the broad strokes and brown tint on the hands look similar to how the trunk of a tree is composed. Thick outlines around major components, such as the hands and moth, help define these focal points against the intricate background, adding depth and clarity. The texture in this mural is prominently seen through the brush strokes throughout each piece of the mural. Very broad strokes are noticed in the hands, where there are layered, shorter strokes in the sun, almost looking like Van Gogh’s “Starry Night”. The use of these lines and strokes are more seen in the “living” objects, whereas the ribbons look smoother.
Line
The artist uses the wall’s surface to create layers, with distinct foreground, middle ground, and background elements. The hands, moth, and ribbon are in the foreground, while the flowers and leaves serve as the middle ground. This layering allows for the mural to have a sense of depth and seem a lot larger than it actually is. The depth created by these layers enhances the three-dimensional environment, giving the viewer a sense of actual nature.
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Luna Llena
Inspired by Mexica and Maya works, Balam created "Luna Llena." His mural encompasses many skillful design techniques and elements that contribute to this design. Luna Llena also contains elements of modern art and design. Created in August 2024, this piece containing pre-Columbian Indigenous art draws on design elements from the era. It is in the St Paul “ChromaZone” at 711 Vandalia Street. The person depicted in this painting is Ix Chel, an ancient moon goddess. Surrounding her are rabbits, which are often associated with this figure. This figure is also reaching out their hands for corn, which also has a historical relevance to this painting. The lines used in this painting are mostly curved. They allow the viewers’ attention to be directed around the mural without specific elements standing out more than others. In the symbol behind the figure, all of the lines are curved, with each side going into a “spiral.” With the lines not being straight and sharp, it allows for a softer image. Looking at the symbol behind the figure, the curved lines that form a semi-circle around the figure are used to bring the eyes of the viewer to the figure. This line direction is also used to signal the viewer where to look. Seen on the headpiece of the figure, there are more lines going horizontally than vertically, which leads the viewer to look left-to-right, drawing attention to the hands. Additional lines are used in this mural to make the goddess figure stand out. The entire figure is surrounded by a thin purple and yellow line that separates the figure from the background. It also gives it more of a 3-dimensional appearance. The symmetry in this mural is well done; the elements on each side of the mural give the mural balance. This is seen with the hand reaching out for the corn on the right and the headpiece reaching out on the left. This is also seen at the top, with the background symbol extending to both the left and right sides of the painting. To add to this symmetry, each side is composed of horizontal lines that balance out the vertical lines on the top and bottom of the mural. The rabbits are also representative of these elements as there is one on each side, providing symmetry. However, one of these rabbits is a farther distance from the figure than the other. This helps focus the viewer’s attention on the focal point in the mural because the rabbit is located directly beneath it. The hand in this mural is the primary focal point. This hand is pictured to be facing palms-up while corn flows into it. There is a green bracelet around the wrist, which is bolded to make it stand out from the rest of the mural. This gesture being made by the goddess appears to be receiving corn from something. To add to this, the entire hand and the rest of the figure being highlighted by a line adds more depth to the mural. An additional focal point is the head of the goddess, where a green earring is seen along with the extravagant headpiece. The color choices in this piece are vibrant yet balanced. The purple/pink background set the stage for the white and gray symbol and figure. These colors give the work an eye-popping burst of energy, which allows for the focal points to stand out. The colors used in the mural are used to make clear distinctions for the differences between the background and the subject of the mural. The gray is used to be a background element that the viewer does not need to pay close attention to. This is seen in the symbol in the background and the rabbits towards the bottom of the mural. The same effect is used for the focal points, where Xilam uses green to signify the focal points. These can be seen with the earrings on the goddess and the bracelet around the wrist of the hand. Another interesting color element toward the center of the mural is the bright white shell attached to the head of the person. This white is the brightest shade of white in the painting, which stands out from the rest of the work and matches the cloak the figure is wearing. The texture of this mural is made of cinder block. While much of the background hides this with color and symbols, the lined texture remains. The entirety of the wall for this mural consists of horizontal lines approximately 8 inches apart. The lines highlight and bring attention to where the location of this mural is and call for acknowledgment of the wall the mural was created on. The advantage of having these cinderblock texture lines also adds background characteristics that bring more depth to the mural. It also contributes to the spacing. Looking at the space in this mural, there is a clear background, middle ground, and foreground. The background elements include the purple directly on the wall in addition to the pink symbols. These background elements contribute to the viewer’s overall recognition of the mural, as they provide a contrast to the other elements of the mural. The middle ground consists of the gray symbol and rabbits. In addition to the meaning of these symbols and elements, they draw attention to the main focal points of the mural. The symbol in the middle extends to the top and then wraps around the figure in the center of the mural in a semi-circle, which sets the viewing points for the viewer. There is also a large amount of space above the goddess figure, where the top is approximately halfway down the painting. This leaves room for the symbol at the top to be seen, where it extends to the left and right and fills the upper space. In the foreground, the goddess figure is layered on top of the rest of the elements in the mural. As has been already mentioned, this is distinguished by the highlighted purple and yellow lines surrounding the entirety of the figure. This makes the figure stand out from the rest of the mural. The space in the foreground figure is centered. The figure’s head starts in the middle and extends downward, going off the bottom of the wall. This makes the painting appear “cut off,” where the viewer has the perception that the entirety of the painting hasn’t been shown. The depth in all three layers in his painting is well executed. The middle ground elements have elements that go over the background, and the foreground has elements that go over the middle ground. These bring a layering effect that makes the figure pop out from the rest of the mural. -
Wonderland
The mural features a minimalistic and narrative-driven design. It depicts women in dynamic and contemplative poses, accompanied by symbolic elements such as a black cat and a white rabbit. These figures are set against a soft, pastel-toned background with colors of peach, yellow, green, and blue that blend smoothly in a gradient-like transition. This color palette evokes a sense of calm and lightness, while the use of black and white for the figures creates a striking contrast, ensuring they remain the focal point. The natural growth of plants around the building further enhances this integration, blending urban and natural elements. Overall, the piece conveys themes of everyday life, introspection, and connection to nature, inviting viewers to interpret its narrative through its symbolic simplicity and harmonious composition.